The people living between Säuling and Auerberg and between Nesselwang and Trauchgau certainly have a special relation with their king.
Even though they have long been influenced by a republican system of government, even though most of them carry out the duty of upright citizens by taking part in democratic elections, their loyalty and love for this king is perhaps unique throughout the world. Deep down in their hearts many of them have remained monarchists, but this allegiance to the monarch is focused on a special person. And that is the king who grew up in their Füssen countryside, who spent most of the years of his life here and who built the most regal of his castles here: Neuschwanstein. He is and will always remain their king. He has long been immortal. He was born in Nymphenburg Palace in Munich on August 25, 1845.
The Crown Prince by no means enjoyed a carefree childhood. He and his brother Otto, two years younger, were supposed to become accustomed to the burden of royal duties at an early age. They were not allowed to associate with other children, and any contact with their parents was reduced to a minimum. The princes’ teachers were convinced that keeping their parents at a distance would promote their independence. The royal brothers spent much of their childhood away from the capital of Munich at Hohenschwangau Castle. Separated from their parents, brought up by down-to-earth civil servants who kept to the rules and who were mainly intent on making the Crown Princes familiar with the realities of the world, Ludwig lived here, however, in an environment remote from the great affairs of state.
A fantastic natural landscape and a castle-like palace, filled with romantic murals depicting German fairy tales, sagas and the omnipresent swan images, were a formative influence on Ludwig, who was of an imaginative and sentimental disposition. Secretly the youthful Prince began to occupy himself at night with what interested him most: theater, opera librettos and literature. On February 1861, the 15-year-old Prince was deeply moved by his first performance of an opera. Wagner’s Lohegrin was to become for him a key experience. From now on he became one of Richard Wagner’s most ardent admirers and his greatest patron.